Another BBC News Slideshow

Click on the title above to watch the show and then write an essay on one or more of the following:

(1) To what extent are you any the wiser?

(2) Compare and contrast the helpfulness of the slides in helping you to understand the message(s).

(3) Evaluate Mr Peston's chances of being awarded the Nobel prize for economics.

Don't put clocks back

If you find the darker afternoons that start tomorrow a depressing and pointless exercise, you might be interested in an article in The Times a few days ago (click on title above for the full story).

Apart from relieving the gloom, not putting the clocks back tonight would reduce electricity consumption by 1-2% and save NHS expenditure on dealing with accidents and emergencies:

“During an experiment 40 years ago, when British Summer Time was used all year for three years, there was an average of 2,500 fewer deaths and serious injuries each year. Opposition from Scotland contributed to the decision to return to putting the clocks back in winter.”

If putting the clocks back is such a big deal for the Scots, why don’t we let them do it on their own?

A different time zone in Scotland might be marginally inconvenient for the rest of us, but no more so than it already is when trying to plan meetings in other EC countries.

BBC Television NEWS: produced for or by morons?

I’d very much like to know if I’m alone in noticing that BBC television news programmes are making more and more use of slide shows and graphics in their bulletins.

So I’ve put together some edited highlights from the 10 o’clock News on 8th October to illustrate the style of news coverage that seems to be taking up an increasing proportion of the available air time (see below to view), and there follows a step-by-step commentary on some of the news stories as they unfolded that night.

Before writing any more on the subject, I’d really like to get an idea of what other people think and would very much appreciate it if, after reading the commentary and watching the video, you could let me know your views on the subject (either on the blog or by email).


BBC TELEVISION NEWS, 10.00 p.m., 8th October 2008:

The news starts with a picture of a revolving globe as the number “0.5%” appears with a red arrow pointing downwards and a voice-over from Huw Edwards, tonight’s newsreader, telling us that interest rates around the world have fallen, and in Britain by “half a point”.

There follows the normal opening tune and swirling graphics which fade away to reveal Mr Edwards standing next to a slide with “GLOBAL FINANCIAL CRISIS” written on it against a background of a globe and red graphs.

Click below to watch video:


He’s clutching a mysterious piece of paper that he occasionally looks at while telling us about the crisis and the fact that the government is making £400 billion available (and if you missed the number, don’t worry because you’ll be hearing and seeing it again). He announces that our specialist correspondents are going to explain the magnitude of what’s happened.

The globe on the slide next to him now disappears behind a picture of Robert Peston and the subtitle “BANK RESCUE PLAN” appears below “GLOBAL FINANCIAL CRISIS” – as Edwards informs us that our business editor Robert Peston will tell us about the rescue plan for the banks.

Then the picture of Peston changes to one of Hugh Pym and the new subtitle “GLOBAL RATES CUT” appears below “GLOBAL FINANCIAL CRISIS" – as Edwards informs us that our economics editor Hugh Pym will look at the likely impact of the lower interest rates.

The Picture of Pym changes to one of Nick Robinson and the words beneath “GLOBAL FINANCIAL CRISIS” disappear – Edwards tells us that our political editor Nick Robinson is coming on first to report on “the most dramatic day so far in the global financial crisis.”

Then we hear Robinson’s voice-over a picture of the City of London in the background, as £400,000,000,000 appears in the foreground and another £400,000,000,000 tracks across the screen behind it, while Nick Robinson helpfully tells us that the key figure is £400,000,000,000 – and, if you still haven’t got it, he informs us “that’s eleven naughts at the end”.

A digital clock appears showing the time 7.30, as Robinson tells us what happened “first thing this morning” (presumably at 7.30 a.m.).

His voice-over continues as we’re shown pictures of dealing screens, a shot of the Bank of England quickly followed by ominous-looking red graph lines moving across the screen while a red arrow points downwards through the graphs.

Robinson goes on to ask “what exactly is the deal” as another slide appears with “what’s the DEAL?” written on it, along with pictures of the Bank of England and more descending red graphs.

He tells us that banks will be part-nationalised, and, if you didn’t hear that, red letters drop down from above to form the words “Part Nationalisation”.

He tells us the cost will be “50 billion pounds of tax payers’ money”, as more red numbers and letters fall into place so we can now read “£50 bn taxpayers’ money” – and so it goes on, with more letters and numbers falling into place to coincide with what Robinson has to say.

Then it’s back to Huw Edwards, who is now sitting at a table next to the screen with “GLOBAL FINANCIAL CRISIS” written on it. It’s an oval table with a mirror in the middle that reflects part of whatever’s on the screen at his side.

He reminds us that, “as Nick Robinson’s just told us”, the full cost could be as much as – yes, you’ve guessed it – “£400,000,000,000”. He also repeats various other facts already mentioned before handing over to “our business editor Robert Peston who examines the detail and asks if this will work.”

What we get from Peston is a carefully prepared PowerPoint presentation, with him standing next to a screen as ten slide changes repeat most of what he’s saying in written bullet points. He too has a slide with “£400,000,000,000” written on it – the eighth time we’ve been shown or told about this number since the news began.

When it comes to Hugh Pym’s turn, we hear his voice-over and see a picture of the City of London behind the number “0.5%” with a red arrow pointing downwards. As he proceeds, a revolving globe with numbers materialises in the background while two red graph lines move across the screen in the foreground. As he speaks, written phrases zoom out towards us four times in quick succession, and, apart from the first one, each one tells us something different from what he’s actually saying.

Finally, we get to some of ‘today’s other news”. Edwards shuffles his mysterious pieces of paper, presumably to let us know that we’re moving on to something new (if only he can find it). But we are given a hint of what to expect on the screen next to him, where there’s a picture of a blue shirt with a badge on it that could just be an American flag.

As he starts to talk about last night’s presidential debate between John McCain and Barack Obama, the badge zooms towards us and disintegrates into hundreds of small bubbles. The legend “US08” appears before shrinking back into the top right hand corner, to be make room for the words “ELECTION DAY 27 days to go”, superimposed over rows of tiddly winks going round in a circle.

Experience and inexperience in presidential campaigns

Reflecting on televised ‘debates’ in US presidential campaigns for my previous entry reminded me of two memorable moments from previous shows, both of which majored on the importance of a candidate’s experience or lack of it .

The first, from the 1988 vice-presidential ‘debate’, was Lloyd Bentsen’s reply to Dan Quayle’s claim to be as experienced as Jack Kennedy was when he ran for president:

"Senator, I served with Jack Kennedy. I knew Jack Kennedy. Jack Kennedy was a friend of mine. Senator, you're no Jack Kennedy."

The second had more resonance for the current campaign, in which one of the candidates also has an age problem. When running for his second term in 1984, Ronald Reagan was a year older than John McCain is now, and one of the interviewers had the cheek to raise the matter with him on prime time television. No doubt carefully prepared in advance, Reagan came up with the classic response:

“I will not make age an issue of this campaign. I am not going to exploit for political purposes my opponent’s youth and inexperience.”

Watch the second video below and you’ll see that Walter Mondale, Reagan’s ‘youthful and inexperienced’ opponent, thought it a pretty good joke too. But part of the humour lay in the fact that Mondale was not particularly youthful and, as vice-president to Jimmy Carter, could hardly be described as ‘inexperienced’.

McCain, of course, can’t pull a similar trick on Obama, because he’s been doing his best to make his opponent’s youthfulness and inexperience an issue. Nor does this Senator McCain seem to be gifted with the folksy self-deprecating sense of humour that served Ronald Reagan so well.

Presidential debates – tedious television but better than commercials

For British audiences, the televised ‘debates’ between US presidential candidates come across as a very strange form of television indeed, which is hardly surprising given the peculiar rules of engagement as set out by Bob Schieffer of CBS News at the start of the third one:

“The rules tonight are simple. The subject is domestic policy. I will divide the next hour and a half into nine-minute segments. I will ask a question at the beginning of each segment. Each candidate will then have two minutes to respond and then we’ll have a discussion. I’ll encourage them to ask follow-up questions of each other. If they do not, I will.”

The candidates are then allowed to make a two-minute mini-speech on each topic before having to answer any subsidiary questions, and they certainly don’t have to worry about being interrupted, challenged or knocked off course by a Dimbleby, Paxman or Humphrys.

The fact that such ‘debates’ take place at all is a reflection of (or perhaps a necessary antidote to) what struck me as one of the most depressing aspects of US politics when I was working and watching television there during the Reagan-Mondale election in 1984. What astonished me was that you never got to see either of the presidential candidates or candidates for a local senate seat being interviewed in the way that’s routine on British radio and television. The reason is alarmingly simple: after all, why would you risk being put on the spot in an adversarial interview when you can buy as much advertising time as you can afford?

Back in 1984, two candidates for one senate seat the North Carolina managed to spend more than $20 million on advertising. As viewers, we weren’t just subjected to short and nasty TV commercials, but we also had to put up with ghastly 20 minute documentary-style propaganda ‘programmes’ aimed at showing what wonderful people the candidates were, produced and paid for, of course, by the candidates themselves.

Although I have serious reservations about interviews taking over from speeches as the main form of political communication in the UK, I have none at all about our politicians being banned from buying political advertising on radio and television. This is because the lesson from the dismal situation in the USA is that, once political advertising is allowed, politicians can ignore invitations from the media to be interviewed on news and current affairs programmes, and thereby insulate themselves from being exposed to challenging questions from well-informed neutral interviewers.

A secret of eternal youth?

When I was a teenager, my brother thought it very amusing to give me Dale Carnegie’s How to Win Friends and Influence People as a birthday present. Still in print, it’s one of those self-help manuals that keeps on repeating the same basic message until it’s long enough to count as a full-length book.

All I can remember about it is that the ‘secret’ is to show interest in what other people say and to encourage them to say more and more about whatever it is they want to talk about -- while not volunteering much about yourself unless they happen to ask.

What I’ve noticed increasingly in conversations with strangers at parties is that fewer and fewer of them ever ask me anything at all about myself. It’s not that I’m desperate to tell my life story to anyone who cares to listen, but I am getting rather bored with endless details about where these people live, their family and/or job history, their hobbies, their latest ailments, etc., etc.

Quite often, I come away realising that the person I’ve just been talking still knows nothing whatsoever about me, other than what I look like. In fact, I’ve started to wonder whether Dale Carnegie might have penetrated my subconscious all those years ago and that I’ve unwittingly become rather good at following his advice.

Or, and I fear this is much more likely, it’s nothing to do with me at all, but reflects the age of the people I’m most likely to meet at parties these days. Maybe growing old really does mean that you become more and more preoccupied with yourself and less and less interested in anyone else – in which case, Dale Carnegie’s instructions may also be pointing us to the secret of eternal youth, or at least be telling us something about how resist one of the symptoms of old age.