England Ashes victories: 2010 & 1953

2010



1953

My parents bought their first TV set just before the coronation in 1953. Tiny black and white screen it may have been, but it did enable us to watch Dennis Compton (right) hitting the winning run that regained the Ashes in the final test match at the Oval (scorecard HERE).

I'd like to watch it again - so if anyone knows of an internet link to it, please let me know.

P.S. Thanks to 'pje' for entering the link to what I was looking for in the comments section - the British Pathe film can now be watched below.

FIGHT FOR THE ASHES - FINAL TEST AT THE OVAL, 1953

PowerPoint Christmas circular competition result

This year's competition, inspired by the rise and rise of the Christmas circular letter, invited readers to take this art form to a new level of tedium:

All you have to do is to design a PowerPoint show for posting online to keep all your friends and relations up to date on the wondrous achievements of your children, the latest antics of your cats and dogs, your exotic holidays, etc., etc., etc. Whether you stick to the truth or tell a pack of lies is entirely up to you.

AND THE WINNER IS ...
Laura Goldberg, who will be receiving a signed copy of Lend Me Your Ears for producing such a masterful blend of banality, boastfulness and fake sincerity.

She lost a few points early on in the show for being rather too clear and persuasive, concentrating as she did on three children and three pets, about the first few of which there were three blobs.

But she made up for this by earning bonus points for screwing up such a promising start by abandoning the structure completely, for no apparent reason and without any rational explanation whatsoever (from slide 5 onwards) - thereby demonstrating one of the many types of audience distraction commonly inflicted on audiences by PowerPoint presenters.


SLIDE (1)
Hello dearest friends.

We are delighted to inform you of our family news this year.

SLIDE (2)
Our children are splendid
Tom Cooper Ellis Joy Jones (15.5yrs)
  • Upgraded school shoes from velcro to laces
  • Makes us smile every day.
  • We're very proud.
SLIDE (3)
Our children are splendid
Calum Ben James Marcus Oliver (17yrs)
  • Spelt out word for female breast on his calculator.
  • Most creative in expression.
  • Destined to be a writer.
SLIDE (4)
Our children are splendid
Timothy Alfred Jack Louis Daniel (19yrs)
  • Reached second gig venue on Guitar Hero World Tour.
  • Very talented.
  • On his way to rock stardom.
SLIDE (5)
Our pets are bothersome
Tom (cat)
  • Lives largely in own world.
  • Brings home assorted fish for our supper.
  • Salmon. Haddock. Plaice.
  • Makes a mess.
SLIDE (6)
Our pets are bothersome
Harry (dog)
  • Is deaf as a post.
  • Munches treats a little too loudly.
  • Plays Elgar on our piano.
  • Irritates the family.
SLIDE (7)
Our pets are bothersome
Dick (hamster)
  • Thinks himself a Houdini.
  • Escapes regularly, with not a tooth mark in sight.
  • Cage security grows by the day.
  • As does our resentment.
SLIDE (8)
Happy Christmas
Lloyd-Kennedy-Davies family XXX

Anoraks' Corner: Two Christmas TV speeches

In case you missed them, as I did, here are two Christmas messages for you to catch up on.

YouTube scores (so far): Ed Miliband, 8,970; The Queen, 2,744 (though the former was posted four days earlier than the latter).

Favourable reactions in YouTube comments suggest that Miliband is in the lead (so far).

For what it's worth, I thought there was something a bit odd about both of them, but have yet to figure out exactly why. See what you think:



Last minute Daily Telegraph Christmas quiz

With only 24 hours left for you to enter my main Christmas Quiz (HERE) and inspired by the standards of journalism propagated by the Daily Telegraph over the past 48 hours (for more on which, see HERE), here's a last minute Christmas competition:

The said 'quality' newspaper has offered you the chance of sending their tape-recording buggers to bug a conversation between any two people in the world, a transcript of which will be published in the Daily Telegraph (and on this and Robert Peston's BBC website blog).

All you have to do is to name two unsuspecting victims on whose conversation you would like to eavesdrop.

Optional for anoraks: Write a short transcript of what they might be saying.

PRIZES
The winner will receive the same prize as the winner of my main Christmas competition - with the added bonus of an indeterminate amount of fame among readers of this blog and my followers on Twitter.

'Telegraph' or 'Sleazygraph': the ethics, uses and results of covertly recorded conversation

Following the covert bugging of Vince Cable by two people sent by the Daily Telegraph to pose as constituents attending his surgery, the media has been making quite a meal of it.

Yesterday, Twitter was buzzing with gleeful journalists speculating about what Cable will or should do, what Cameron and/or Clegg will or should do, what Miliband will or should do, etc., etc., etc.

Among the scores of journalists and bloggers who'd been tweeting about it since the story broke (not to mention reporters on all the main TV news programmes), I'd only noticed one who, towards the end of the day, expressed any reservations at all about the way the Daily Telegraph had acquired the story, when Sue Llewellyn (@suellewellyn) dared to ask on Twitter (at 17.49) :

'Anyone else feel uneasy about the whole idea of secretly taping someone?'

To which I replied: 'Yes, I've been tweeting about it all day.'

Why the unease?
There are a number of reasons why I've risked 'coming out' as more sanctimonious than most Twitterers, bloggers and mainstream media journalists.

My initial reaction was that it hardly seemed news that politicians say things in private conversations that they wouldn't dream of saying in public. After all, has anyone ever come across any community, society or organisation where people don't spend quite a lot of time saying things behind the backs of other people that they wouldn't say to their faces?

Then, as the story gathered pace, I began to worry that no one else seemed to be in the least bit concerned about the implications of so-called 'quality' media outlets, from the Telegraph to the BBC, using covert bugging, publishing and broadcasting of private conversations as a perfectly acceptable way of gathering news (or should that be 'creating news').

It struck me as being at best unethical and at worst illegal.

Whatever temporary damage the 'sting' or 'honey-trap' (or whatever else you want to dress it up as) may have done to the reputations of Vince Cable and the coalition government, there remains a bigger question: what long-term damage has been done to the UK media, now that the supposedly 'quality' end of it regards it as perfectly normal and acceptable to operate with such a cavalier disregard for ethics and legality?

I have no idea what the answer will turn out to be, but do know that what we've witnessed over the past couple of days makes me shudder to think about it.

Why am I getting so worked up about it?
Since starting t0 tweet about this yesterday, I've been asked why I've been getting so worked up about it. I've even been accused of being motivated by a partisan desire to defend Vince Cable and the Liberal Democrats in their hour of need.

Nothing could be further from the truth - which actually goes back more than a decade before the LibDems had come into being to a time when wrestling with the ethics of covertly recording conversations was part of my everyday life.

Much of the data on which conversation analysis was built derived from tape-recorded phone calls. The late Harvey Sacks, one of the founders of the approach, set the ball rolling with a PhD at Berkeley that was based on tape-recorded phone calls to a suicide prevention agency (in which the callers were almost certainly completely unaware that their conversations were being recorded).

Research by two of the other foundational figures, Gail Jefferson and Emanuel Schegloff, as well as that by scores of investigators since, also depended, at least in part, on covertly recorded conversations.

The methodological challenge
The reason why covert recording was considered important was that a central objective of conversation analysts was to establish a rigorous method for observing 'naturally occurring' interaction - rather than relying on answers to questionnaires (e.g. sociology), artificially contrived experiments (e.g. psychology) or invented sentences (e.g. linguistics).

If people were warned in advance that their conversations were being recorded, so the argument went, it might influence or distort the way they spoke, therefore disqualifying the resulting tapes as pure 'naturally occurring' data.

But I know of no one who ever embarked on such work who did so lightly or with devious motives in mind. I don't know of anyone in the field who has not spent endless hours thinking and talking and worrying about the ethical dilemmas confronting us. Nor do I know of anyone who has ever breached the fundamental confidentiality of the taped conversations, let alone anyone who has ever betrayed, damaged or exploited any of the speakers involved in order to benefit themselves.

Scientific and public interest as legitimate defences?
I am certain that the analysis of covertly recorded data was at the heart of some major advances in our understanding of how conversation works.

But I do still have occasional doubts about whether 'scientific' interest really was and is a legitimate defence for what so many of us have done. I also remember a sense of relief from any such worries when I first started studying recordings of political speeches - which had the advantage of already being in the public domain.

Had anyone at the Daily Telegraph or the BBC suffered from similar worries, it would be nice to think that they would never have collected or used such ethically troublesome data in the way that they did.

The depressing thing is that I don't think any of them can have cared enough about the ethics (or legality) of what they were doing to have given such matters a second thought. Nor do I think they can have given much thought to the new standards of media reporting that they were helping to establish as 'normal'.

As for whether the media's 'public interest' defence is any less valid than the 'scientific defence' of conversation analyis is, of course, for others to decide.

At this stage, all I'd say by way of mitigation is that I don't know any conversation analyst who has ever been guilty of either betraying the confidentiality of those being recorded, or of exposing or exploiting anything they might have said for personal or commercial gain.

What made Brian Hanrahan's famous contrast so memorable?

Listen!

"I counted them all out and I counted them all back."
There's hardly a media report today on death of distinguished BBC journalist Brian Hanrahan that doesn't refer to his famous line from the aircraft carrier HMS Hermes during the Falkland's war in 1982 (37 seconds into the above).

Not only did he use repetition and contrast, but he followed it up with a list of three adjectives to describe the mood of the pilots, who were "unhurt, cheerful and jubilant."

Where did the line come from?
There's interesting report in today's Guardian, which includes the following:

'He used that form of words to get round military censorship of media reports – and it became the title of his book about the conflict, co-written with fellow correspondent Robert Fox...

'He was on the aircraft carrier HMS Hermes during the Falklands war when the first air strikes started taking place on Port Stanley in May 1982. Naval officials placed severe restrictions on what he could report, particularly in respect of the numbers of sorties flown by the Harrier jets.

Fox told the BBC today that in order to get round the restrictions, Hanrahan colluded with the "raffish Old Etonian intelligence officer" Rupert Nichol, who told him that they had both seen the same number of planes going in and coming back, and "that was the way he should go". Hanrahan turned the idea into the line he used on his broadcast.'


Why so memorable?
Hanrahan's contrast had already become memorable by the time I was writing a chapter on the way in which rhetorically formatted statements are likely to get noticed and quoted (Ch. 5: 'Quotability') for my book Our Masters' Voices, which came out two years later.

And the question of what makes a particular speech, or a particular line from a speech, memorable is one that has fascinated me ever since. In a post a couple of years ago (HERE), I ventured the suggestion that it helps if it strikes the right chord with the right audience in the right place at the right time - all of which are arguably true of this line from Hanrahan.

In another post, I noted that memorable lines, such as the most famous one from John F. Kennedy's inaugural speech, aren't always recognised as 'memorable' straight away (HERE).

Indirectness v. Directness
I still think, however, that part of the answer to why rhetorically formatted lines are so effective at grabbing the attention audiences is that they tend to be less direct ways of saying things that, if said directly, would hardly have been noticed.

Consider, for example, whether Hanrahan's line have been so widely reported and remembered if he'd selected a more direct way of reporting the same thing, such as "All the planes returned safely"?

I very much doubt it, just as I doubt whether anyone would have noticed if Margaret Thatcher had said "No one is going to make me change my economic policies" rather than her most memorable contrast "You turn if you want to. The lady's not for turning."

The idea that indirectness works better than directness is consistent with other research into conversation, which suggests that, in many and perhaps most contexts, there is a preference for saying things indirectly rather than directly.

As I said of these examples from Hanrahan and Thatcher in Our Masters' Voices (pp. 162.163): 'these more direct modes of communication leave nothing whatsoever to the imagination and little or no effort is required to be able to see the point' - and of the less direct options '.. to identify and appreciate the point being made, people have to put their brains to work. The increased mental effort involved in decoding interlocking contrasts and lists may increase the chances that particular message will remain in listeners' minds..'