A voting system where everybody gets what no one wants

There was a classic moment in last night's televised repeat from the comedy series Auf Wiedersehen Pet, in which economic miseries of the early 1980s had driven a group of English construction workers to work on a building site in Germany.

They want to paint the hut they live in to make it more homely. But what colour should it be?

Barry has a plan for reaching a democratic decision:

Churchill's perfect timing of his 'iron curtain' gesture

Watching Churchill's 'iron' curtain clip again yesterday got me thinking about posting a note on the timing of his gesture - at which point, there suddenly appeared a Twitter link to a book by a body language expert that included 'iconic' gestures as one of three types of gesture:

'Different types of gesture

'Iconic-gestures whose form displays a close relationship to the meaning of the accompanying speech

'Metaphoric-gestures that are essentially pictorial but the content depicted here is an abstract idea rather than a concrete object or event

'The Beat-movements that look as though they are beating out musical time' (full post HERE)

Although I always advise that three-parted typologies, whether from Marx, Freud or countless other theorists, need to be treated with caution (because the theorist probably stopped looking for more after the third one made the story seem complete enough to get it published), I don't have a problem with the idea that 'iconic gestures' are a distinct and frequently used type of gesture that do indeed relate to words that are coming out of a speaker's mouth.

I'm less certain, however, about the above distinction between 'iconic' and 'metaphoric' gestures - as it's not clear to me whether Churchill's downward hand movement relates to the words 'has descended' or the metaphor of an 'iron curtain' falling across Europe. Nor do I think there's any way of determining which of these it is, any more than I think it matters very much.

THE TIMING OF ICONIC GESTURES

A far as I'm concerned, the most interesting thing about it is that it's a splendid illustration of perfect timing of an iconic gesture.

The first time I ever heard the term used was in a lecture by Emanuel Schegloff, one of the founders of conversation analysis, back in 1979, in which he observed that iconic gestures anticipate a word that's coming up any second now - i.e. they get under way just before the speaker actually says the word to which the gesture relates (E.A. Schegloff, 'On some gestures' relation to talk', in Atkinson & Heritage, Eds. Structures of Social Action: Studies in Conversation Analysis, Cambridge University Press, 1984, pp. 266-298 - Amazon link at bottom right of page).

This can be clearly seen in the Churchill clip, where his hand begins to move just as he starts to say "an iron curtain" and has fully descended by the time he gets to the word "descended'.

If you watch the video again, an interesting question to ask yourself is what it would have looked like had he started the gesture after saying the word "descended". Or think of an angler telling you that the fish he'd just caught was "huge" and then moving his hands apart to show just how huge it was.

In both cases, your answer is likely to be something like 'odd', 'mistimed', 'later than it should have been' or even 'vaguely amusing'

This is because one of the intriguing things about the way we use these iconic gestures is that timing them 'correctly' (i.e. start before saying the word) is something we learn in early childhood.

SOMETHING TO LOOK OUT FOR IF YOU HAVE YOUNG CHILDREN

Sometimes, very young children will describe something before doing a gesture that relates to it - e.g. "It was really round", followed by drawing a circle in the air with their hands - the timing of which, is likely to be regarded by adults as 'cute' - but, as they grow older, they discover how to get the timing right.

No one ever tells them they'd been doing it 'wrong' or coaches them to get it 'right' - just as I have never found it necessary to coach adult speakers how to use iconic gestures (or would ever dream of doing so).

The 'iron curtain' descended from Russia via Goebbels to Churchill

In an interesting post on 'What PowerPoint can't show you' yesterday, Martin Shovel poses the excellent question of whether it would have improved the famous metaphor used by Winston Churchill in his speech at Fulton, Missouri in 1946, in which he said “.. an iron curtain has descended across the continent”:

‘Time pressure would have forced him to abandon his strikingly original idea in favour of something more literal, mundane and attainable, like a brick wall, or a barbed-wire fence.’

Although 'iron curtain' was a perfect metaphor for summing up the Cold War division of Europe, this ‘strikingly original idea’ wasn't Churchill's. Goebbels and other Nazi propagandists had used it before him, as too had others in England and Russia before that.

The most succinct summary of the metaphor's history that I’ve come across is on About.com:

‘Churchill had previously used the term in two telegrams to Truman. However, the term, which dates back to the nineteenth century, was probably first used in regard to Russia by Vassily Rozanov in 1918 when he wrote "an iron curtain is descending on Russian history". It was also used by Ethel Snowden in 1920 in a book called 'Through Bolshevik Russia' and during WW2 by Joseph Goebbels and German politician Lutz Schwerin von Krosigk, both in propaganda.’

None of which is to belittle the power of the metaphor or Churchill’s success in making it part of the language of the Cold War – which is why I still use the video clip below when teaching about the importance of imagery.

BUT WHAT MAKES A SPEECH MEMORABLE?
This is a question I blogged about back in March and is something that will no doubt continue to fascinate me until I shuffle off this mortal coil. The 'iron curtain' speech arguably fits with where I've got to so far from looking at some of the speeches that people mentioned most frequently as 'memorable' :

'The best I’ve been able to come up with is that, in each case, the speaker managed to hit the jackpot by saying something that struck just the right chord with just the right audience in just the right place at just the right moment in history – which means that it’s more or less impossible to predict ‘memorability’ with any certainty in advance of any particular speech...'

You can see the list of 'memorable' speeches and comments on the discussion HERE. And, if you feel like continuing the discussion, please feel free to do so.