What if?

Moving my office from one room to another has forced me to venture back into ancient files and make daily decisions about what to throw out and what to keep.

I'd forgotten that I still had this letter from the then secretary of the Yorkshire County Cricket Club inviting me to some Schoolboys' coaching sessions at Headingley. The deal was that, if they thought you were any good, you'd become a 'Yorkshire Colt', which meant that the YCCC would pay for your bus fare when you came for further coaching sessions. In short, we all knew that this could be the first step towards our sporting dream.


Coaches and autographs
When we got there, we had to line up and take it in turns to bat and bowl in the nets, closely watched by the two grumpy looking county coaches of the day, Arthur Mitchell and Maurice Leyland. Every now and then, one or other of them would growl "Next", which was, as far as I remember, the sum total of the 'coaching' any of us received.

Meanwhile, various current and former county players would wander around inspecting the 'talent'. They looked just as grumpy as Mitchell and Leyland, but their presence did at least give us the chance to collect a few autographs. Len Hutton's was the most impressive one I got, but I do remember being quite disappointed that he signed my book 'Leonard Hutton' - if only he'd read Wikipedia, he'd surely have known that he was 'commonly named Len Hutton'.

You'll have gathered, of course, that although I did manage to reach the Headingley schoolboy nets two years running, I didn't pass the Mitchell-Leyland test. So it's all their fault that I had to find something else to do when I grew up.

If only
Thirty years later, on discovering I might need reading glasses, I went for my first ever eye test - which also revealed that I had slight astigmatism. "Is that also age-related?" I asked, to which the optician replied "No, you'll have had it all your life."

Realising that, if only I'd had the right specs in 1955, I might have made it back to Headingley on a full-time basis. I was initially overwhelmed by depression, wondering what on earth I was doing in Oxford when I could/should have been coming to the end of a glorious career playing for Yorkshire. But then it dawned on me that there was quite a big silver lining after all.

The silver lining
Given my age and the fact that one of my specialisms was as an opening batsman, my dream coming true would also have condemned me to years of having to go in to bat as (junior/younger) partner to Geoffrey Boycott (who did have the right specs).

Compared with him, I suspect, even other academics were not only much more congenial as colleagues, but they also liberated me from a career that would have been plagued by the daily fears and frustrations of being run out.

Using video in a presentation: 7 steps to success

Over the last few days, I came across a couple of things that have prompted this post. The first was that I found myself giving a few tips to a Twitter follower on how to use video in a presentation.

The second was reading an interesting post by Lily Latridis on the Fearless Delivery blog , entitled Video in a Presentation can be a Big Mistake. At first sight, the title got me worried - as I hardly ever give a talk without using video clips to illustrate key points about public speaking and presentation.

It also reminded me that, when I first started using videos, we were still using Betamax rather than VHS - since when I've used them in hundreds, if not thousands, of presentations. What's more, I'm fairly sure that it hasn't been 'a Big Mistake' - unless feedback, course evaluations and repeat bookings are a completely misleading guide to audience reactions.

Fortunately, my initial sense of dread on seeing the title disappeared as soon as I'd read the post (HERE), as it turned out that the types of video Lily Latridis was warning against and the purpose for which they were being used were both very different from the the short clips used my own presentations (which mainly consist of 10 second excerpts from speeches illustrating different rhetorical techniques).

In fact, I found myself agreeing with pretty much everything Lily Latridis had to say about the types of videos she was talking about - and suspect that she might well agree with something I wrote about the use of videos in the section on different types of visual aids in my book Lend Me Your Ears (pp. 117-174):

'When using video, it's usually best to keep the clips short and the 30 second television commercial is a useful guide to optimal length. If you play longer clips, the danger is that the audience will start to feel that they're at a film show rather than a presentation. Once that happens, you may well find yourself losing the impetus, and have problems getting them back into the mood for listening to a talk. And, if it was a lively well-produced piece of video, there's the added risk of coming across as dull and amateurish compared with what they've just been watching' (LMYE, p. 152).

In retrospect, I realise that I could (and probably should) have included more practical advice on how to use video in presentations. So here, with thanks to Lily Latridis and my other Twitter contact for inspiring this postscript, are some tips from my own experience of discovering that video doesn't always have to be a big mistake.

SEVEN STEPS TO SUCCESS

1. Select clear examples
Many of the illustrations in scientific and medical text books are selected from hundreds of pictures in order to give the clearest possible example of whatever it is that's being described. The same principle should also be used in selecting video clips, as your audience has to be able to see/hear what you've told them to look out for instantly and at a glance (and without prompting doubt or irrelevant questions).

2. Use more than one clip to illustrate the same point
If you're making a point about the regularity with which speakers use a particular technique, you need to show more than one example of the same thing in action. By the time they've seen a third one, they'll have got the point, and you don't need four, five or six to convince them.

3. Think twice about who and what to include
When I first started teaching how to use rhetoric, I quickly discovered that, however effective an orator may have been, there were certain politicians and public figures who aroused such strong political reactions (e.g. Hitler, Ian Paisley, Arthur Scargill, Tony Benn, etc.) that their inclusion distracted audiences away from whatever technical point I was making.

So, whilst I still think it's important to show that the same techniques work in the same way irrespective of the party represented by a speaker, I've found it necessary to exclude certain speakers from my demo tapes over the years.

A related lesson I learnt very early on was to concentrate on showing clips by effective speakers and to make minimal use of ineffective ones. Hopeless speakers may demonstrate how not to do it, but the trouble is that what was boring in the first place is no less boring for the audience you're inflicting it on in the second place via a video.

4. Blank the screen out between each video clip
One of the (many) advantages that Betamax had over VHS was that, when you pressed the 'Stop' button, it stopped exactly where you stopped it and the screen blanked out until you pressed 'Start', when it carried on with the next clip you wanted to play. But do that with a VHS machine, and the tape would back up and, on pressing 'Play', you'd get a replay of part of the previous clip - which was, to say the least, extremely annoying and distracting (both to me and my audiences).

As the market forced us to use VHS, my initial solution was to press the 'Pause' button and then release it when I was ready to play the next example. The trouble was that having a still picture up on the screen while introducing the next one was a needless distraction for the audience. So I started to insert a few seconds of darkness on each demo-tape to encourage the audience's attention away from the screen and back to me until I was ready to 'un-pause' it and show the next exhibit.

Now that we have to use DVD players or laptops, I still make sure that the screen goes blank between each clip, as is illustrated in the following video from last year's UK Speechwriters' Guild Annual Conference (you can also see the notes of what I said each time the screen went blank HERE):



5. To embed or to edit?
As regular readers of this blog will know, I often include video clips to illustrate points being made in a particular post. The easiest way to do this is to 'embed' videos from YouTube or some other website. But the trouble with this is that the originals are often far too long and/or there's only a short excerpt from it that I want to comment on.

So you either have to tell readers how far to scroll in to see the point of interest (which I find quite annoying when looking at other blogs) or you can edit out everything else and produce a shorter clip of the relevant sequence.

The tips I found myself giving via Twitter the other day started by responding to someone who wanted to use video in a presentation and had tweeted a question asking if you can extract video from a DVD on to a Mac, to which I replied "Yes, I do it all the time but can't explain how in 140 characters."

As others have also asked me where I get clips from and how I edit them, it might be useful to outline how to go about it.

6. Where do you get videos from?
Thirty years ago, we had to record from live television - which produced very long video tapes and extremely time-consuming editing of short clips on to a demo-tape (using two VCRs). Today, we can either do the same by recording directly on to DVDs or select from the thousands of videos on the internet.

If you have a Mac, you'll be equipped with iMovie which, compared with Windows video-editing programs like Pinnacle, is far more reliable and much easier to use. Once you've edited a video, you can instantly convert it into whatever format you need (e.g. high quality DVD or lower quality for the web or email).

7. Useful software
If you want to copy movies from a DVD to your computer, you'll need a program like HandBrake that enables you to rip a DVD into QuickTime or other format that can be handled by iMovie.

If you've downloaded an FLV movie (e.g. from YouTube), Emicsoft FLV converter will convert it into an MP3 or other format that you can import into iMovie.

And anyone who thinks that this sounds like rather a long-winded process should remember that in the pre-digital age it could take anything up to two whole weeks to produce a half-decent demonstration tape.

Today I can create a new one from scratch in an hour or less - unless, of course, I need to fast-wind my way through hundreds of hours of videotapes before converting a long-lost clip to DVD before even being able to begin on the steps outlined above.

Doomed Dictator Twitter Challenge: the sound bite winners

The original announcement of the Defend a doomed dictator speechwriting competition prompted so much activity on Twitter that it called for the creation of an additional award:

The Twitter Challenge: Since news of the competition was first posted, there have been a number of imaginative tweets of sound bites from such a speech. I've therefore decided to create a special class for 140 character Twitter entries (for which the 1st prize will be a signed copy of the shortest book I've ever written).

The quantity and quality of the entries have in turn prompted me to divide this part of the competition into two divisions, with prizes to both the winners as follows:

(1) Prize for prolific parody: Charles Crawford (@charlescrawford), whose entries included the following gems:

Mr Gaddafi. Tear down this umbrella!

I have a dream. I HAVE a dream. I have a DREAM. To get out of Libya with my umbrella and most of my limbs attached to my body

We will kill on the roads and in the fields. We'd kill in the hedgerows if we had any We'll never surrender. Until we run away

Friends, Libyans, Countrymen - lend me your fastest private jet. I'm out of here!" PS "Oh and another plane for the gold pl"

To run, or not to run - that is the Q. Whether tis better to take arms against a sea of protestors, or do the Benito Dangle.

Don't ask what your country can do for you. Ask what you can do to loot your country. Then grab swag and dash to Chavez's


(2) Prize for brevity: Carl Quilliam (@carlquilliam)

Gadaffi: 'I'll get my coat'

Thanks and congratulations to Messrs Crawford and Quilliam, who will both be receiving a signed copy of Speech-making & Presentation Made Easy: Seven Essential Steps to Success, as soon as they've supplied me with their snail-mail addresses.

(Judgement of the full speeches by doomed dictators is still in progress, but you can inspect all the entries HERE).