As I may not be able to post anything for the next few days, normal service will be resumed after Easter, when I hope you'll keep on coming back to the blog.
Meanwhile, and in the noble tradition of early days of BBC Television 'Interludes', you might enjoy the following, which arrived recently by email (and make sure you have the sound on).
Gordon Brown’s G20 address ignores an important tip from Winston Churchill
Whenever I’m asked about the biggest single problem I’ve come across since migrating from academia into training and coaching, my answer is always the same, namely the sight and sound of speakers trying to get far too much information across – aided and abetted by programs like PowerPoint that implicitly encourage presenters to load up the screen with far too much detail.
It’s something that was very well understood by Winston Churchill, who said:
“If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time with a tremendous whack.”
But it’s never been very well understood by Gordon Brown, as was evidenced yet again in his address at yesterday’s pre-G20 press conference.
Announcing that there are five tests for the G20 summit may not have been quite as daunting to the audience as showing a slide listing seventeen items to be covered, as was once tried by someone I was trying to cure. But it hardly makes you sit up eagerly waiting to hear what’s coming up.
If you can bear to test this out for yourself, try watching the segment below, wait ten minutes and then see how many of his 5 points you can remember (and this clip, by the way, only took up 28% of the full statement, which serious anoraks can watch HERE ).
Other recent postings on Gordon Brown's speeches include:
• Gordon Brown is finding the Jacqui Smith expenses story more ‘delicate’ than he says
• It’s time Brown stopped recycling other people’s lines
• Brown’s ‘poetry’ heads up news of his speech to Congress
• Unexpected poetry in Gordon Brown's speech to the US Congress
• Gordon Brown’s model example of how to express condolences
It’s something that was very well understood by Winston Churchill, who said:
“If you have an important point to make, don't try to be subtle or clever. Use a pile driver. Hit the point once. Then come back and hit it again. Then hit it a third time with a tremendous whack.”
But it’s never been very well understood by Gordon Brown, as was evidenced yet again in his address at yesterday’s pre-G20 press conference.
Announcing that there are five tests for the G20 summit may not have been quite as daunting to the audience as showing a slide listing seventeen items to be covered, as was once tried by someone I was trying to cure. But it hardly makes you sit up eagerly waiting to hear what’s coming up.
If you can bear to test this out for yourself, try watching the segment below, wait ten minutes and then see how many of his 5 points you can remember (and this clip, by the way, only took up 28% of the full statement, which serious anoraks can watch HERE ).
Other recent postings on Gordon Brown's speeches include:
• Gordon Brown is finding the Jacqui Smith expenses story more ‘delicate’ than he says
• It’s time Brown stopped recycling other people’s lines
• Brown’s ‘poetry’ heads up news of his speech to Congress
• Unexpected poetry in Gordon Brown's speech to the US Congress
• Gordon Brown’s model example of how to express condolences
Is there an open-mouthed school of acting?
When I was a child, I remember being told that it wasn’t a good idea to walk about with my mouth open, or even partially open – advice that sometimes came with dire warnings about the dangers of allowing oral access to flies and other marauding insects.Now I don’t know if it’s just me (and the small, unrepresentative sample of people I’ve consulted on it so far), but it does seem that film and television actresses are spending more and more time with their mouths open – both when there’s no dialogue and when they’re listening to one of the other actors saying something – than used to be the case.
Nor are those of us who’ve noticed it particularly impressed by it.
For one thing, once you’ve spotted someone doing it early on in a film, it becomes a big distraction - because you go on noticing the same actor doing it again and again. For another, it can be quite confusing trying to work out just what emotions and feelings all these open mouths are supposed to be conveying
So here are five questions on which I'd welcome feedback:
1. Has anyone else noticed it?
2. Is it a recent trend?
3. Am I alone in finding it irritating/distracting?
4. Is open-mouthed acting being taught in drama schools?
5. If so, why?
And, if your answer to Q1 is 'No', have a look at these clips of Keira Knightley in action, as she'd surely be the odds-on favourite to win if there were an Oscar for this style of acting.
P.S. Since first posting this, I've had this supporting email from a friend, who also happens to be a professional actress:
"Yes! I too have observed the (female) open-mouth school of acting. KK is the main offender who’s come to my notice, but I remember Scarlett Johansson adopted it in Girl With a Pearl Earring. Mind you, the girl in the painting by Vermeer is doing the same thing – I’ve just checked!
"The other perpetrator is Andrea Riseborough, she whom you admired so much in The Devil’s Whore! I think it’s considered sexy by the young actresses. Or, possibly, the (male) film directors encourage it for the same reason. To me it says ‘vacuous’, which is a shame, as I believe Johansson and Riseborough are both intelligent young women."
Her point about it being considered sexy by young actresses and male directors may be getting to it, as I've just typed 'Brigitte Bardot' into Google Images and noticed that most of the shots of the young Bardot (on the first two pages) show her with her mouth open!
Subscribe to:
Posts (Atom)