A not very fantastic speech from Dr Fox














Resignation speeches tend to be at their best when a cabinet minister has taken the initiative to resign, as in the cases of Sir Geoffrey Howe, Nigel Lawson and Robin Cook.

So I wasn't expecting much from the statement by the departing Dr Fox in the House of Commons earlier today. Nor did we get very much.

Beforehand, journalists on Twitter were getting very excited:
"Liam Fox just entered commons after govt chief whip Patrick McLoughlin scanned chamber" @nicholaswatt

"Fox has arrived" @paulwaugh

"Fox arrives. Sits on back bench" @MichaelLCrick

During and after the speech, they weren't impressed:
"Astonishing stuff from Fox. Apparently doesn't realise he's done anything wrong. It's all the evil meeja out to get him, right?" @dlknowles

"Fox has the brass neck to blame the media for his downfall." @ayestotheright

"If it weren't for the media, Liam, you wouldn't have been found out. A bit rich to have a go at us now." @MASieghart

"Too much like an Oscar acceptance speech"
This tweet, from @AndrewSparrow of The Guardian, summed the whole thing up - and with a nice touch of irony...

More reactions:

Two engaging women speakers from British politics - and two models for powerful women?


During the Labour Party conference last month, I raised the question of whether some of the party's leading women, such as Yvette Cooper, Caroline Flint and Harriet Harman, are better speakers than the party's current generation of leading men.

Shirley Williams
On hearing the 81 year old Shirley Williams speaking at the Wells Literary Festival the other night - along the lines of the above from a similar speech she made at the Stratford-upon- Avon Literary Festival - I realised that there's nothing particularly new about effective women speakers holding their own with their male contemporaries and rising to the higher reaches of the Labour Party (and later, in her case, within the SDP and Liberal Democrats too).

Long before Williams and the three male members of the 'gang of four' had broken away from Labour to form the SDP, she had been a cabinet minister in the Wilson and Callaghan governments. And, from quite early in her political career, she was sometimes mentioned as a possible first woman Labour leader and even as a possible first ever woman prime minister.

Although these both eluded her, she's still not only a very engaging speaker, but also one who's retained an energy to rival many, if not most, speakers who are very much younger than she is. During her brief stay in Somerset this weekend, she was making speeches and taking questions from 1930-2130 on Friday night and from 0930-1130 and 1230-1400 on Saturday (i.e. for about 50% of the waking hours she was here).

As if that wasn't enough, she was planning to spend her train journey back to London reading a few more hundred pages of the health bill and its amendments in the current House of Lords debate in which she is playing a very active part.

Barbara Castle
Twenty years older than Shirley Williams was another leading figure in Harold Wilson's Labour government, the late Barbara Castle. I haven't been able to find any clips of her speeches on YouTube - where there seem to be more of Miranda Richardson playing her in the film Made in Dagenham than there are of the real Mrs Castle - but some of us are old enough to remember that she too was a much better than average public speaker.

Here's a typically assured performance from her in a TV interview from the early 1970s about the resignation of a defence minister and press intrusion in the private lives of public figures - a curiously topical coincidence to remind us that some issues are still making the headlines four decades later:


Castle, Williams and the Thatcher solution
In Our Masters' Voices and some of the blog posts below (especially HERE), I suggested that Margaret Thatcher had found a solution to the professional woman’s problem of being damned if they behave like a man and damned if they behave like a woman by being tough and decisive in her actions while being uncompromisingly female in her external appearance – and that this was summed up by the nickname the 'Iron Lady’, capturing as it does both 'strength' and 'femininity'.

In this respect, Barbara Castle, regarded in her day as being as tough, glamourous and well-dressed, came much closer to the Thatcher model for women politicians than Shirley Williams ever did.

The Williams alternative
At the time of writing Our Masters' Voices, I remember suggesting somewhere that Mrs Williams represented a rather different available role-model for women in politics than the one offered by Thatcher and Castle: the 'intellectual', ' blue-stockinged', 'untidy', 'verging on scruffy' stereotype of the female Oxbridge don (or Women's Institute lecturer).

As for whether she consciously developed such an image, there are at least two pieces of evidence that she is certainly aware of it in retrospect.

One is that she actually referred, without any prompting, to her erstwhile reputation for having untidy hair during the talk she gave on Friday night.

Clothes + fashion = frivolous waste of time peddled by supercilious saleswomen
The other evidence comes in the first chapter of her autobiography, Climbing the Bookshelves (of which I'm now the proud owner of a signed copy), where she reveals that she already had little or no interest in clothes and fashion by the time she was 10 years old. Comparing herself with her mother, she writes:

'... she did allow herself some moments of frivolity. She loved clothes and used to take me with her while she tried on the elegant polka-dotted silk dresses and emphatic hats of the 1930s. A new hat or pair of gloves could lift her spirit for days. It was a pleasure I did not share. After the first ten minutes of each encounter with a supercilious sales lady, I began to think about ponies and tricycles, and to resent the waste of my time. These early experiences immunised me against both shopping and fashion. For years I bought the first thing that looked even vaguely as if it might suit me, though often it didn't.'

Related posts

Imagery can take us to the frontiers of science - via scissors, generals and sentinels

People sometimes tell me that it's all very well to bang on about the power of using imagery to get messages across (as in 'Painting Pictures with Words', Lend Me Your Ears, Ch. 7 and various other posts on this blog), but that it won't help much if you're speaking about technical subjects, let alone taking an audience to the frontiers of science.

Nothing could be further from the truth, as can be seen in this clip from a TED talk by Professor Peter Donnelly, FRS, telling us about "chemical scissors which cut DNA whenever they see particular patterns":


A few days ago BBC Radio 4's Material World (listen again HERE) included a discussion of the contribution made by Professor Ralph Steinman who died just before being awarded the Nobel Prize in Physiology. In this sequence, we're told that T cells act "as the generals of the army" and dendritic cells which "instruct T cells who to attack".

Interviewer Quentin Cooper picks up on "the generals in the army" analogy and suggests that dendritic cells are "almost like military intelligence". "Precisely", agrees the interviewee, before dubbing them as "sentinels for the immune system" and developing the point further...

50 years of Private Eye: a story of retail, rejection and recognition

It's supposed to be a sure sign of growing older when you start thinking that police officers and doctors are getting younger. Another is when you realise that more and more significant anniversaries are taking place of events you think of as recent memories.

For me, the latest reminder of this is the news that it's 50 years since the fortnightly satirical magazine Private Eye was first published.

Not only do I remember it well, but I was also an early salesman and have been a subscriber and (very occasional) contributor ever since.

Retail
Selling the Eye outside university cafeterias was my first serious business venture. Lord Gnome had rightly seen students as a promising source of potential readers and had invited volunteers to join his sales force.

Once a fortnight, all I had to do was to go down to the station and collect my 6o copies of the latest edition, then priced at 1/6d (one shilling and sixpence, or 7.5 pence in new money) - for which I had to pay 1/- (one shilling, or 5 pence in new money) each, leaving a net profit of 30 shillings (£1.50 in new money) per fortnight.

These days, 75 pence a week may sound like a pittance. But when pubs sold a pint of beer for the equivalent of 7.5 pence, it was riches indeed.

Rejection
For years, I tried unsuccessfully to get Private Eye to publish my hilariously funny (?) cartoons, only to be bombarded with rejection slips suggesting that I should send them to Punch magazine (now coming up to the 10th anniversary of its demise in 2002).

I also rather regret that nothing I've written has ever made it into Pseuds' Corner, even though I know that such acclaim can have embarrassing consequences. Someone (and we haven't forgotten who you are) had successfully submitted a sentence from article about conversational turn-taking that one of my best friends had published in a learned journal.

When I told him that I was rather envious because nothing of mine had ever got into Pseuds' Corner, he warned of the dire consequences such recognition can have. It had been published a few days before he was due in Cambridge to serve as external examiner in a PhD viva. As he put it "they already think we're mad enough to be doing conversation analysis in the first place, without being able to rub it in by waving Private Eye at me before the meeting started."

Recognition
It wasn't until the mid-1980s that I finally managed to extract a cheque from Lord Gnome for a photograph that I'd taken of the village sign outside a village in Northamptonshire that bore the legend "Silverstone - please drive slowly."

Even then, it had seemed like another rejection for the many months it failed to appear in the I Spy feature, making me grumpier by the fortnight. Then, to give them their due, it turned out that they hadn't binned it after all, but had merely been waiting, with the journalistic flair we expect from Private Eye, to publish it the week before that year's British Grand Prix at Silverstone.

More recently, the Eye published another photograph I'd taken of a fly-posted planning notice from Mendip District Council - at a time when they were wasting unspecified amounts of council-tax payers' money on a campaign against fly-posting notices of forthcoming village events on 'items of street furniture', i.e. MDC jobsworthy jargon for telephone and electricity posts... (continued on p. 94).

Listen again: Lord Gnome aged 49 and 3 quarters - Michael Crick, BBC Radio 4 (8th October - for another 6 days).

The End of Summer - with thanks to Steve Jobs & Flipron


At this time last year, I posted a video clip of audiences clapping out the conference season (HERE).

This year, I've produced a compilation of members of a conference audience listening in rapt attention (?) with musical backing from Flipron's The End of Summer (from their album Biscuits for Cerberus). Much admired for Jesse Budd's lyrics and Joe Atkinson's brilliance on the keyboards, this particular sequence neatly catches a suitable mood for marking the end of the party conference season.

And thanks to Steve Jobs - without whom...
When I bought my first computer in 1985, I came very close to buying an Apple Macintosh but chickened out and bought an Apricot (with two slots for 750K floppy disks).

About twenty years later, while staying with John Heritage in Los Angeles, I found myself being marched into the student shop at UCLA, where he made me buy my first MacBook.

Since then, I quickly upgraded to a MacBook Pro, have acquired a desktop MacPro and have been using an iPhone since the first week of its launch in the UK.

To expand on all the many virtues of being liberated from the familiar nightmares of using a Windows computer would be to risk a very long and boring blogpost. So suffice it to say that the incredible reliability and ease of using the iMovie program that's built into Macs has saved me thousands of hours in preparing demo clips both for lectures and courses and for posting as examples on this blog.

For example, preparing this particular movie - including retrieval of the music, selecting and editing the clips and aligning them with the backing - took less than half an hour.

And, as if that's not enough to be grateful to Steve Jobs for, he also stood out among CEOs as an extremely effective presenter from whom there was much that other business leaders could and should learn.

More from Steve Jobs: