Birdsong: open-mouthed acting by a male of the species

Last night, Mary Ann Sieghart (@MASieghart) tweeted 'Does this actor in #Birdsong have any look other than a long meaningful one?

I knew exactly what she was referring to, as last night's hero (Eddie Redmayne) had already reminded me of a question I'd asked back in 2009: Is there an open-mouthed school of acting?

'...I don’t know if it’s just me (and the small, unrepresentative sample of people I’ve consulted so far), but it does seem that film and television actresses are spending more and more time with their mouths open – both when there’s no dialogue and when they’re listening to one of the other actors saying something – than used to be the case. Nor are those of us who’ve noticed it particularly impressed by it' (more HERE).

Men too?

Whereas I'd been prompted then by the likes of Keira Kinightley, Eddie Redmayne has now shown that men can do it too - and his open mouth is featured in 17% of the short BBC trailer posted on YouTube (above - or full version HERE).

I was intrigued to discover from the comments that I wasn't alone in having noticed the trend, and some interesting discussion emerged. If you've any more thoughts, here's a reminder of the five main questions I posed then:

'For one thing, once you’ve spotted someone doing it early on in a film, it becomes a big distraction - because you go on noticing the same actor doing it again and again. For another, it can be quite confusing trying to work out just what emotions and feelings all these open mouths are supposed to be conveying

'So here are five questions on which I'd welcome feedback:

1. Has anyone else noticed it?
2. Is it a recent trend?
3. Am I alone in finding it irritating/distracting?
4. Is open-mouthed acting being taught in drama schools?
5. If so, why?'

And another thing: an inappropriate continuity error

In the background to the pastoral scenes in early 20th century France, the only birdsong to be heard was the cooing of a dove that didn't arrive there until the 1940s (HERE).

The distinctive repetitive cooing of the collared dove has been an irritating distraction in large numbers of televised dramas set in periods long before this annoying bird had arrived and settled in the UK.

Presumably producers of television drama and nature programmes never bother to communicate with each other about such things.

Needless to say, I think it's high time that they did.

Is it wise for Ed Miliband to play snakes and ladders with Jon Snow?

I'm grateful to Neill Harvey-Smith (@nhs999) for drawing my attention to this fascinating video clip via Twitter, where he tweeted "From the Ed Miliband treasure trove, media training lesson #24: don't do this."

The board had already been set up for the game by Shadow Chancellor Ed Balls with his Fabian Society speech and related interviews over the weekend (HERE) and now, three days later, his leader lands on this whopping snake - posted on YouTube very soon after the end of the Channel 4 News on which it appeared (as for what I mean by 'snakes and ladders', see HERE).

It vividly demonstrates the risks faced by an inexperienced interviewee when trying to hold his own against an old hand like Jon Snow and I suspect that Mr Miliband and the Labour Party must be very glad that Channel 4 News doesn't reach a mass audience.

I also think that a more technical analysis of Mr Milband's performance may well reveal some of the reasons why he's so far failed have a more positive impact on the wider public.

Watch this space...

Continued (18 January)

Jon Snow turned out to be one of several top political journalists who had been queuing up to take it in turns to interview Ed Miliband yesterday - all, judging from the background on the BBC, ITN, Sky News and Channel 4 News, in the same room.

ITN was able to edit out Tom Bradby's questions from the version posted on YouTube (below) - which would hardly have been possible with the frequency of Jon Snow's interruptions on Channel 4 News (above).

In the absence of any such things to irritate or distract Mr Miliband, he was able to produce a performance that came across as a good deal more articulate, coherent and assured than in his joust with Jon Snow.

YouTube scorecard so far:

Channel 4 News version: 3,201 viewers (22 Jan)

ITN version: 167 viewers (22 Jan)

The 'John Lewis economy': What to make of today's speech by Nick Clegg?

Regular readers will know that I worry about how little from political speeches are shown on prime-time television news programmes these days - as compared with interviews (examined in more detail HERE).

In the discussion after my UK Speechwriters' Guild Christmas lecture last month, someone made the interesting point that was it's no longer necessary for TV companies to do this in the internet age, because keen anoraks can watch as many speeches as they like online.

Another innovation is the close coordination of 'on message' speeches and interviews, as was demonstrated rather skillfully over the weekend by Ed Balls (HERE).

But does anyone watch the speeches?

One problem with some of the speeches that appear online is that they are so earnest or uninspiring (or both) that it's difficult to imagine prime-time news programmes - even in the glory days of the past - managing to select suitable quotable quotes for transmission to a wider audience.

One such example was Nick Clegg's speech at the Mansion House earlier today. It seems to have generated two main sound bites:

1. a John Lewis economy
2. The 1980s was the decade of share ownership. I want this to be the decade of employee share ownership.

But what he actually meant by either of these (not to mention the rest of the speech) was a question being widely asked on Twitter during the day.

As I've noted before (HERE), Clegg's communication skills continue to interest me - and this video and transcript look like promising data for closer analysis - comments and suggestions welcome...

Text of this video-clip from the speech:

...we don’t believe our problem is too much capitalism: we think it’s that too few people have capital. We need more individuals to have a real stake in their firms.

More of a John Lewis economy, if you like.

And, what many people don’t realise about employee ownership is that it is a hugely underused tool in unlocking growth.

I don’t value employee ownership because I somehow believe it's it's “nicer” - a more pleasant alternative to the rest of the corporate world. Those are lazy stereotypes. Firms that have engaged employees, who own a chunk of their company, are just as dynamic, just as savvy, as their competitors. In fact, they often perform better: lower absenteeism, lower staff turnover, lower production costs. In general, higher productivity and higher wages. They even weathered the economic downturn better than other companies.

Is employee ownership a panacea? No. Does it guarantee a company will thrive? No of course not. But the evidence and success stories cannot be ignored, and we have to tap this well if we are serious about growth. The 1980s was the decade of share ownership. I want this to be the decade of employee share ownership.