Is the sound of music on TV getting more and worse?

Many outstanding movies have been greatly enhanced by outstanding music. Famous film scores by composers like John Willams, Enno Morrikone and John Barry have deservedly won a much wider audiences among listeners around the world.

And, as I've noted before, even political speeches can occasionally be enhanced by suitable background music (e.g. HERE).

But what do we hear from our television screens these days? Is there more music than there used to be? Is it louder, less appropriate and more poorly chosen than it used to be?

Birdsong

The recent BBC drama serialisation of Birdsong has already prompted me to complain (again) about 'the open-mouthed school of acting' (HERE). But just as irritating (to me at least) were the repetitive few bars of plinky-plonk piano music in the background (which you can sampleHERE for a few more days).

Music in factual and documentary films?

It got me wondering whether I'm alone in finding background music an annoying and unnecessary distraction to whatever it is we're trying to watch?

Nor is not just to be heard in dramas, as it now seems to be infecting more and more BBC factual programmes.

Countryfile

For example, viewers of Countryfile on BBC1 have to put up with it week after week, as in the following examples from a discussion of proposed badger-culling. :

Frozen Planet

And, as if viewers of the Frozen Planet might otherwise have objected to David Attenborough's commentary on the brilliant film footage, the producers apparently thought it necessary to impose the continual distraction of irrelevant and more or less continuous backgound music - as in this sequence on polar bear mating behaviour:

Or do the makers of these programmes really believe that irrelevant music adds significantly to our enjoyment and appreciation of the films?

If so, I'd very much like to know why and to see what evidence (if any) they have to support their case...

P.S. Aurorora borealis au musak

I'm very grateful to Keenan Malilk (@kenanmalik) for posting a link to this video on Twitter earlier today, along with a comment - "..annoying music but astounding video all the same" - that suggests I may not be alone in my dislike of pointless musical backgrounds to otherwise impressive film-footage:

Speaking of the moon: Gingrich v. Kennedy

Republican presidential hopeful Newt Gingrich has told us that, by the end of his second term (about 2 minutes into the above), there would be Americans living on the moon. With enough of them there, they'd even be able to become a state of the USA.

And why not?

After all, in 1961, President Kennedy had made the first of two famous speeches about American plans to send a man to the moon. The first was to Congress (below), followed up a year later by his "We choose to go to the moon" speech at Rice University (HERE).

So if Kennedy could get away with such an ambitious goal, why not Gingrich?

Er, at least 3 reasons:

1. Kennedy had already been president for more than a year when he went public with his proposal.

2. Before that, he'd already had time to consult with the relevant experts and no doubt had a pretty good idea that a man on the moon within a decade was entirely possible.

3. Kennedy never made any colonial claims on the moon. Nor, though he may have left a US flag there, did Neil Armstrong - or anyone else.

Obama's State of the Union speech: (2) Enhanced by PowerPoint?

When I first started watching the version of President Obama's State of the Union speech posted on YouTube by the White House, I wondered what the blue rectangle on the right hand side was for.

But all quickly became clear: it was for PowerPoint style slides and they, presumably, were what transformed it into an 'enhanced version'.

So we got to see a picture and the wordds MORE THAN 1 MILLION AMERICAN TROOPS SERVED IN IRAQ BETWEEN 2003-2011

Then a wanted poster for Osama bin Laden with a big red cross through it.

Then more pictures of US troops followed numbers of how many of them had fought in various wars.

And so on and on and on, through pictures, bar charts, graphs, diagrams lists of bullet points, on the US economy, education, etc., etc., etc.

Enhancement or distraction?

Watching this, I was left gasping, wondering who on earth in team Obama believes that his speeches are actually enhanced by such distractions, unless it was the same person who thought that background musak 'enhanced' the film of his speechwriters preparing the speech (see previous post).

Does it mean we can now expect President Obama to take a slide projector along with him during the forthcoming presidential campaign?

I think not - for the obvious reason that he's a good enough communicator to know that the words in his speeches and the way he delivers them are enough on their own to get his messages across.

What's more, I very much hope that this White House model of an 'enhanced presentation' doesn't give other lesser speakers (e.g. most British politicians) the idea that this is the way to improve their own speeches 'going forward'.

See for yourself

If you haven't seen it yet, it's well worth watching all the way through - and coming to your own conclusion as to whether the visual aids enhance or distract from what he said.

Obama's State of the Union speech: (1) Behind the scenes with the speechwriters

Few British political speechwriters though there may be, anyone who writes any kind of speech is likely to be interested not only in this film but also by the fact that it had nearly 400,000 views on YouTube within 24 hours of being posted there.

A cunning part of team Obama's communication strategy perhaps, but there's something very refreshing about a top politician openly admitting that he gets help with his speeches and being willing to give a public platform to those who help him.

So far, I've only watched it once and found the most annoying part was the awful background musak - but the producers of the film maybe know something that I don't about how distracting noises can enhance the impact of such propaganda...

The State of the Union address itself seemed to go down pretty well. But the video posted by the White House had another major distraction - on which more shortly in Part (2).

Birdsong: open-mouthed acting by a male of the species

Last night, Mary Ann Sieghart (@MASieghart) tweeted 'Does this actor in #Birdsong have any look other than a long meaningful one?

I knew exactly what she was referring to, as last night's hero (Eddie Redmayne) had already reminded me of a question I'd asked back in 2009: Is there an open-mouthed school of acting?

'...I don’t know if it’s just me (and the small, unrepresentative sample of people I’ve consulted so far), but it does seem that film and television actresses are spending more and more time with their mouths open – both when there’s no dialogue and when they’re listening to one of the other actors saying something – than used to be the case. Nor are those of us who’ve noticed it particularly impressed by it' (more HERE).

Men too?

Whereas I'd been prompted then by the likes of Keira Kinightley, Eddie Redmayne has now shown that men can do it too - and his open mouth is featured in 17% of the short BBC trailer posted on YouTube (above - or full version HERE).

I was intrigued to discover from the comments that I wasn't alone in having noticed the trend, and some interesting discussion emerged. If you've any more thoughts, here's a reminder of the five main questions I posed then:

'For one thing, once you’ve spotted someone doing it early on in a film, it becomes a big distraction - because you go on noticing the same actor doing it again and again. For another, it can be quite confusing trying to work out just what emotions and feelings all these open mouths are supposed to be conveying

'So here are five questions on which I'd welcome feedback:

1. Has anyone else noticed it?
2. Is it a recent trend?
3. Am I alone in finding it irritating/distracting?
4. Is open-mouthed acting being taught in drama schools?
5. If so, why?'

And another thing: an inappropriate continuity error

In the background to the pastoral scenes in early 20th century France, the only birdsong to be heard was the cooing of a dove that didn't arrive there until the 1940s (HERE).

The distinctive repetitive cooing of the collared dove has been an irritating distraction in large numbers of televised dramas set in periods long before this annoying bird had arrived and settled in the UK.

Presumably producers of television drama and nature programmes never bother to communicate with each other about such things.

Needless to say, I think it's high time that they did.