The
Winner
2012
The
world
economy
is
choked
with
thorns.
Few
commentators
seem
to
be
able
to
tell
us
how
or
why
it’s
happened.
The
financial
journalist,
Gillian
Tett,
has
emerged
with
a
simple
and
compelling
story
explaining
what
went
wrong.
The
UK
Speechwriters’
Guild
has
awarded
Gillian
Tett,
US
managing
editor
of
the
Financial
Times
and
author
of
Fool’s
Gold,
the
prize
of
UK
Business
Communicator
2012.
This
is
for
three
reasons.
The
first
is
that
she
is
an
excellent
public
speaker.
Her
voice
suggests
that
she’s
not
a
natural,
but
her
delivery
is
measured
and
clear.
The
second
reason
is
that
her
content
is
excellent.
The
key
story
she
tells
again
and
again
is
how
she
attended
a
conference
of
bankers
at
the
European
Securitisation
Forum
in
the
Acropolis
Centre
in
Nice
in
2005
to
find
out
what
was
going
in
the
credit
world.
She
had
no
idea
what
the
speakers
were
talking
about.

Is the sound of music on TV getting more and worse?

Many outstanding movies have been greatly enhanced by outstanding music. Famous film scores by composers like John Willams, Enno Morrikone and John Barry have deservedly won a much wider audiences among listeners around the world.

And, as I've noted before, even political speeches can occasionally be enhanced by suitable background music (e.g. HERE).

But what do we hear from our television screens these days? Is there more music than there used to be? Is it louder, less appropriate and more poorly chosen than it used to be?

Birdsong

The recent BBC drama serialisation of Birdsong has already prompted me to complain (again) about 'the open-mouthed school of acting' (HERE). But just as irritating (to me at least) were the repetitive few bars of plinky-plonk piano music in the background (which you can sampleHERE for a few more days).

Music in factual and documentary films?

It got me wondering whether I'm alone in finding background music an annoying and unnecessary distraction to whatever it is we're trying to watch?

Nor is not just to be heard in dramas, as it now seems to be infecting more and more BBC factual programmes.

Countryfile

For example, viewers of Countryfile on BBC1 have to put up with it week after week, as in the following examples from a discussion of proposed badger-culling. :

Frozen Planet

And, as if viewers of the Frozen Planet might otherwise have objected to David Attenborough's commentary on the brilliant film footage, the producers apparently thought it necessary to impose the continual distraction of irrelevant and more or less continuous backgound music - as in this sequence on polar bear mating behaviour:

Or do the makers of these programmes really believe that irrelevant music adds significantly to our enjoyment and appreciation of the films?

If so, I'd very much like to know why and to see what evidence (if any) they have to support their case...

P.S. Aurorora borealis au musak

I'm very grateful to Keenan Malilk (@kenanmalik) for posting a link to this video on Twitter earlier today, along with a comment - "..annoying music but astounding video all the same" - that suggests I may not be alone in my dislike of pointless musical backgrounds to otherwise impressive film-footage:

Speaking of the moon: Gingrich v. Kennedy

Republican presidential hopeful Newt Gingrich has told us that, by the end of his second term (about 2 minutes into the above), there would be Americans living on the moon. With enough of them there, they'd even be able to become a state of the USA.

And why not?

After all, in 1961, President Kennedy had made the first of two famous speeches about American plans to send a man to the moon. The first was to Congress (below), followed up a year later by his "We choose to go to the moon" speech at Rice University (HERE).

So if Kennedy could get away with such an ambitious goal, why not Gingrich?

Er, at least 3 reasons:

1. Kennedy had already been president for more than a year when he went public with his proposal.

2. Before that, he'd already had time to consult with the relevant experts and no doubt had a pretty good idea that a man on the moon within a decade was entirely possible.

3. Kennedy never made any colonial claims on the moon. Nor, though he may have left a US flag there, did Neil Armstrong - or anyone else.