This is a list of everything posted since the Blog started in September 2008.
It's updated at the end of each month, and you can access direct links to each one by clicking on the title above or HERE.
MARCH 2009
• Gordon Brown is finding the Jacqui Smith expenses story more ‘delicate’ than he says
• ‘The Lost Art of Oratory’ by a BBC executive who helped to lose it in the first place
• Another Tory speech that marked the beginning of the end for a prime minister
• Rhetorical techniques and imagery in Hannan’s attack on Gordon Brown – edited highlights
• Did the media ignore Hannan because they think speeches are ‘bad television’?
• Does Daniel Hannan’s attack on Brown tell us what makes a speech memorable?
• UK media slowly wakes up to Daniel Hannan’s speech
• Media Coverage of Daniel Hannan’s attack on Gordon Brown
• It’s time Brown stopped recycling other people’s lines
• Daniel Hannan v. Gordon Brown at the European Parliament
• Jargon and gobbledygook comedy sketch
• Check the fixtures and fittings before you speak
• Why haven't the Lib Dems learnt from Obama’s use of the internet?
• If Bill Gates doesn’t read bullet points from PowerPoint slides ...
• An imaginative innovation in a PowerPoint presentation?
• ‘From Stalin to Mr Bean’: putting two parts of a contrast in the right order
• How to improve impact by sequence, repetition and a rhetorical technique
• Brown’s ‘poetry’ heads up news of his speech to Congress
• Unexpected poetry in Gordon Brown's speech to the US Congress
• The Gettysburg Powerpoint Presentation
• Gordon Brown’s model example of how to express condolences
February 2009
• The day Barack Obama discovered his powers of oratory and rhetoric
• How to make reading a slide sound interesting
• PowerPoint style presentation continues to dominate BBC News – courtesy Robert Peston (again)
• The 'magic' of Oscar acceptance speeches
• Does Mrs Clinton really know someone everywhere she goes?
• Personality cult as an antidote to tribalism?
• Kenya holiday reading
JANUARY 2009
• Mirror, mirror on the wall, whose is the fairest democracy of all ?
• Rhetoric and imagery in President Obama’s inauguration speech
• The good news from the House of Lords
• Memorable lines in President Obama's inaugural speech?
• The great camcorder con-trick
• Obama’s inauguration rhetoric won approval for some uncomfortable messages
• Rhetoric and applause in Obama’s inaugural speech as a measure of what the audience liked best
• A line I don't want to hear in today's speech by President Obama
• The enduring challenge and importance of funeral orations
• Has talking the economy down become a dangerous self-fulfilling prophesy?
• Kate Winslet ignores Paul Hogan’s advice to award winners
• Slidomania epidemic contaminates another BBC channel
• How would Obama's rhetoric and oratory sound from a London back street?
• Clinton, Palin and the legacy of Margaret Thatcher
• Margaret Thatcher and the evolution of charismatic woman: Part III. The education of a female orator
• Margaret Thatcher and the evolution of charismatic woman: Part II. ‘ The Iron Lady’
• Margaret Thatcher and the evolution of charismatic woman: Part I. Cultural and vocal challenges
• “May we bring hope” – 30 years since Margaret Thatcher took office as Prime Minister
DECEMBER 2008
• Ready made words for Mr Obama from a previous president’s inaugural speech
• Neutrality in the Queen’s Christmas speech
• What did Santa say before “Ho, ho ho!”
• You don’t have to be Barack Obama to use rhetoric and imagery
• High-risk practical joke for an office Christmas party speech
• End of year poll on PowerPoint presentations
• Obama’s rhetoric renews UK media interest in the ‘lost art’ of oratory
• Gordon’s gaffe explained
• The Office Christmas Party Speech: roads to failure and success
• The Queen's Speech, 2008
• Rhetoric, oratory and Barack Obama's 'The Speech', 2004
• "There's nothing wrong with PowerPoint - until there's an audience"
• What’s in a place name?
NOVEMBER 2008
• Content-free sermon by Alan Bennett
• 50 years since Peter Sellers recorded his memorable political speech
• Talking the economy up
• Talking the economy down
• Why lists of three: mystery, magic or reason?
• Tom Peters: High on rhetoric but low on content?
• Bobby Kennedy nearly got it right about Obama
• ‘Reliable sources' on where Obama’s 'Yes we can' came from
• Will there be any ‘rhetorical denial’ from the Obama camp?
• The Queen’s Speech: an exception that proves the ruler
• Rhetoric & imagery in Obama's victory speech
• Not Clinton, not McCain but Obama
• How the BBC handled one complaint about Ross
OCTOBER 2008:
• Another BBC News Slideshow
• Don't put the clocks back
• BBC Television News: produced for or by morons?
• Experience and inexperience in presidential campaigns
• Presidential debates – tedious television but better than commercials
• A secret of eternal youth?
• PowerPoint Peston
• Hair today, win tomorrow: baldness and charisma
• Pesky Peston?
• ConVincing Cable
• 'Mature, grown-up and statesmanlike' at the lectern
SEPTEMBER 2008:
• Cameron takes to the lectern in a crisis
• Objects as visual aids
• Powerpoint comes to church
• Mediated speeches -- whom do we really want to hear?
• Wisdom of forethought?
• Time for Cameron to surf applause?
• Did Gordon Brown take my advice?
• Eternity, eternity and eternity
• More tips for Gordon Brown
• Tips for Gordon Brown's conference speech
Gordon Brown is finding the Jacqui Smith expenses story more ‘delicate’ than he says
Long ago, I heard one of the founders of conversation analysis (and I can’t remember whether it was Emanuel Schegloff or Gail Jefferson) talking about ‘pre-delicate hitches’ – a rather cumbersome piece of jargon for referring to a fairly common occurrence in conversation.
‘Hitches’ are things like ‘uh-’ and ‘um-, restarts of a word, or slight pauses, and the observation was that these are regularly found at those points in a conversation where the speaker is leading towards a word or a topic that they know is rather ‘delicate’ (e.g. a swear word, obscenity or potentially controversial news, gossip, etc.).
The general argument was that such ‘hitches’ are used to give advance notice that we’re about to say something that we know is rather ‘delicate’ – and know that others might find ‘delicate’ too.
I was therefore fascinated to notice that there were at least ten ‘pre-delicate hitches’ in the first four sentences of Gordon Brown’s comments about the scandal of the Home Secretary’s expenses claim for a blue movie watched by her husband – which you can check out by following the transcript below (hitches in bold) while watching the video HERE.
(P.S. Since posting this, I've realised that you can't actually read the transcript at the same time as watching the video, so keen anoraks will have to copy it on to another file and/or print it out).
BROWN:
"This is- this is very much a-a personal matter (pause) uh- for- for Jacqui.
"She’s made her uh- apology.
"Her husband has made it uh- clear that he is- he is apologised `(sic).
"Uh I-I think that the best thing is that Jacqui Smith gets- gets on with her work as- which is what she wants to do."
What these hitches suggest is that Mr Brown is finding the whole episode much more delicate than he’s letting on in the words that he actually uses.
(If you found this of any interest, you might also like to inspect my explanation of his claim to 'have saved the world' gaffe in December).
‘The Lost Art of Oratory’ by a BBC executive who helped to lose it in the first place
Well, well, well – after decades of showing fewer and fewer speeches (and shorter and shorther extracts from the few that ever do get shown) on television, the BBC is now trailing a programme entitled ‘Yes We Can: The Lost Art of Oratory’ next Sunday night, presented by none other than Alan Yentob – who, in his former roles as controller of BBC 1 and Director of Programmes, was one of the few people who could actually have done something to prevent the ‘Art of Oratory’ from being more or less lost from our television screens in the first place
Having posted a piece entitled ‘Obama's rhetoric renews UK media interest in the 'lost art' of oratory’ back in December, I suppose I should be gratified to see my point being endorsed by the BBC.
But it does seem rather ironic that the programme is being put out on the same channel (BBC 2) that broadcast a half an hour programme of speeches every night during the 1979 election, but where you’ll never see any now – unless they feel it’s time for a bit of speculation about the declining importance of oratory in British politics, helped along the way by authoritative experts like Bob Geldof and Germaine Greer.
Or maybe it’s just their way of trying to justify part of the huge amount of licence payers’ money spent on sending Mr Yentob and the swarms of other BBC employees to Washingon for inauguration day.
Having just heard him plugging the programme on BBC Radio 4’s Start the Week, I’m not expecting much in the way of news or insight into the subject. But it should be worth recording in case they play any clips that I don't already have in my collection.
(See also Did the media ignore Hannan because they think speeches are 'bad television'? and Mediated speeches - whom do we really want to hear?)
Having posted a piece entitled ‘Obama's rhetoric renews UK media interest in the 'lost art' of oratory’ back in December, I suppose I should be gratified to see my point being endorsed by the BBC.
But it does seem rather ironic that the programme is being put out on the same channel (BBC 2) that broadcast a half an hour programme of speeches every night during the 1979 election, but where you’ll never see any now – unless they feel it’s time for a bit of speculation about the declining importance of oratory in British politics, helped along the way by authoritative experts like Bob Geldof and Germaine Greer.
Or maybe it’s just their way of trying to justify part of the huge amount of licence payers’ money spent on sending Mr Yentob and the swarms of other BBC employees to Washingon for inauguration day.
Having just heard him plugging the programme on BBC Radio 4’s Start the Week, I’m not expecting much in the way of news or insight into the subject. But it should be worth recording in case they play any clips that I don't already have in my collection.
(See also Did the media ignore Hannan because they think speeches are 'bad television'? and Mediated speeches - whom do we really want to hear?)
Another Tory speech that marked the beginning of the end for a prime minister
There was an interesting comment the other day on one of my postings about Daniel Hannan's speech by Charles Crawford, a former speechwriter to Sir Geoffrey Howe. It reminded me of another Tory speech that marked the beginning of the end of a prime minister -- and also met the right chord/right audience/right place/right time test for 'memorability'.
His resignation speech to the House of Commons included a fine example of sporting imagery (a cricketing simile) to describe what it had been like working for Mrs Thatcher (see video below).
"It's rather like sending your opening batsmen to the crease, only for them to find, the moment the first balls are bowled, that their bats have been broken before the game by the team captain."
The speech ended with a fairly explicit invitation to other discontented colleagues to stand against her for the leadership, and it wasn’t long before she was gone:
"The time has come for others to consider their own response to the tragic conflict of loyalties with which I have myself wrestled for perhaps too long."
Mr Crawford says he didn't write the speech, but I wonder if he or anyone else could shed any light on a rumour that was circulating at the time, namely that Sir Geoffrey's wife had had a major hand in writing it.
His resignation speech to the House of Commons included a fine example of sporting imagery (a cricketing simile) to describe what it had been like working for Mrs Thatcher (see video below).
"It's rather like sending your opening batsmen to the crease, only for them to find, the moment the first balls are bowled, that their bats have been broken before the game by the team captain."
The speech ended with a fairly explicit invitation to other discontented colleagues to stand against her for the leadership, and it wasn’t long before she was gone:
"The time has come for others to consider their own response to the tragic conflict of loyalties with which I have myself wrestled for perhaps too long."
Mr Crawford says he didn't write the speech, but I wonder if he or anyone else could shed any light on a rumour that was circulating at the time, namely that Sir Geoffrey's wife had had a major hand in writing it.
Rhetorical techniques and imagery in Hannan’s attack on Brown – edited highlights
As promised the other day, here are some notes on the rhetorical highlights of Daniel Hannan’s attack on Gordon Brown.
At its simplest, the more use a speaker makes of the main rhetorical techniques and imagery to get key messages across, the more likely it is that a speech will achieve high audience ratings (for more detail on these and how to use them, see any of the books listed on the left).
Given the impact of this particular speech, it’s therefore hardly surprising to see just how frequently he uses them – at a rate that comes close to the frequency to be found in some of Barack Obama's speeches (on which, see earlier postings on his victory speech and inaugural address).
Edited footage of the following five highlights can be seen below.
1. THE OPENING
Attention grabbing opening with a Puzzle (that sounds as it though it could be a compliment) followed by a solution packaged as a contrast (that turns out to be an insult/attack):
PUZZLE:
Prime Minister, I see you’ve already mastered the essential craft of the European politician,
SOLUTION:
(A) namely the ability to say one thing in this chamber
(B) and a very different thing to your home electorate.
2. ATTACK PACKAGED AS A ‘YOU/OUR ‘ CONTRAST:
The truth, Prime Minister, is that you have run out of our money.
3. EXTENDED METAPHOR INTRODUCED BY TWO CONTRASTS:
(A) It is true that we are all sailing together into the squalls.
(B) But not every vessel in the convoy is in the same dilapidated condition.
(A) Other ships used the good years to caulk their hulls and clear their rigging; in other words – to pay off debt.
(B) But you used the good years to raise borrowing yet further.
As a consequence, under your captaincy, our hull is pressed deep into the water line under the accumulated weight of your debt.
4. INSULT/ATTACK PACKAGED AS A‘NOT (A) BUT’ (B) CONTRAST WITH ALLITERATION:
(A) Now, it’s not that you’re not apologising; like everyone else I have long accepted that you’re pathologically incapable of accepting responsibility for these things.
(B) It’s that you’re carrying on, wilfully worsening our situation, wantonly spending what little we have left.
5. CONTRASTS FOLLOWED BY SIMILE, FOUR 3 PART LISTS (WITH REPETITION) AND A CONCLUDING PUZZLE-SOLUTION:
(A) Prime Minister you cannot go on forever squeezing the productive bit of the economy
(B) in order to fund an unprecedented engorging of the unproductive bit. [applause]
(A) You cannot spend your way out of recession
(B) or borrow your way out of debt.
And when you repeat, in that wooden and perfunctory way, that our situation is better than others, that we’re well placed to weather the storm, I have to tell you, you sound like a Brezhnev-era Apparatchik giving the party line.
(1) You know,
(2) and we know,
(3) and you know that we know that it’s nonsense.
Everyone knows that Britain is worse off than any other country to go into these hard times.
(1) The IMF has said so.
(2) The European Commission has said so.
(3) The markets have said so, which is why our currency has devalued by 30% – and soon the voters, too, will get their chance to say so.
And soon the voters too will get their chance to say so.
PUZZLE: They can see what the markets have already seen:
SOLUTION: that you are the devalued Prime Minister of a devalued government.
At its simplest, the more use a speaker makes of the main rhetorical techniques and imagery to get key messages across, the more likely it is that a speech will achieve high audience ratings (for more detail on these and how to use them, see any of the books listed on the left).
Given the impact of this particular speech, it’s therefore hardly surprising to see just how frequently he uses them – at a rate that comes close to the frequency to be found in some of Barack Obama's speeches (on which, see earlier postings on his victory speech and inaugural address).
Edited footage of the following five highlights can be seen below.
1. THE OPENING
Attention grabbing opening with a Puzzle (that sounds as it though it could be a compliment) followed by a solution packaged as a contrast (that turns out to be an insult/attack):
PUZZLE:
Prime Minister, I see you’ve already mastered the essential craft of the European politician,
SOLUTION:
(A) namely the ability to say one thing in this chamber
(B) and a very different thing to your home electorate.
2. ATTACK PACKAGED AS A ‘YOU/OUR ‘ CONTRAST:
The truth, Prime Minister, is that you have run out of our money.
3. EXTENDED METAPHOR INTRODUCED BY TWO CONTRASTS:
(A) It is true that we are all sailing together into the squalls.
(B) But not every vessel in the convoy is in the same dilapidated condition.
(A) Other ships used the good years to caulk their hulls and clear their rigging; in other words – to pay off debt.
(B) But you used the good years to raise borrowing yet further.
As a consequence, under your captaincy, our hull is pressed deep into the water line under the accumulated weight of your debt.
4. INSULT/ATTACK PACKAGED AS A‘NOT (A) BUT’ (B) CONTRAST WITH ALLITERATION:
(A) Now, it’s not that you’re not apologising; like everyone else I have long accepted that you’re pathologically incapable of accepting responsibility for these things.
(B) It’s that you’re carrying on, wilfully worsening our situation, wantonly spending what little we have left.
5. CONTRASTS FOLLOWED BY SIMILE, FOUR 3 PART LISTS (WITH REPETITION) AND A CONCLUDING PUZZLE-SOLUTION:
(A) Prime Minister you cannot go on forever squeezing the productive bit of the economy
(B) in order to fund an unprecedented engorging of the unproductive bit. [applause]
(A) You cannot spend your way out of recession
(B) or borrow your way out of debt.
And when you repeat, in that wooden and perfunctory way, that our situation is better than others, that we’re well placed to weather the storm, I have to tell you, you sound like a Brezhnev-era Apparatchik giving the party line.
(1) You know,
(2) and we know,
(3) and you know that we know that it’s nonsense.
Everyone knows that Britain is worse off than any other country to go into these hard times.
(1) The IMF has said so.
(2) The European Commission has said so.
(3) The markets have said so, which is why our currency has devalued by 30% – and soon the voters, too, will get their chance to say so.
And soon the voters too will get their chance to say so.
PUZZLE: They can see what the markets have already seen:
SOLUTION: that you are the devalued Prime Minister of a devalued government.
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