The Banksy exhibition at Bristol Museum

Having announced the Banksy exhibition at Bristol Museum on the blog at the beginning of June, I'm now feeling guilty that I didn't go earlier, not just because I'd have liked to have gone again, but also because I'd have been strongly recommending everyone else to go too.

The show ends in a few days time, but you can get a flavour of it by typing 'Banksy' into YouTube, where quite a lot of it can now be seen.

There are also links to other videos towards the end of the one below, which includes some of the exhibits I was most taken with, like the picture of a river with water running out of it because it had been hung at an angle, the gleaner who had left the painting to sit on the frame for a smoke and the fish fingers swimming around in a goldfish bowl.

What doesn't come across in the videos I've watched so far was a clever piece of marketing for Bristol Museum. Apart from the rooms dedicated to Banksy's work, the artist had also deposited other items at unpredictable points around the rest of the museum. To see them, you had to go around looking for where they'd been hidden in all the permanent collections, and I'm sure that many people will, like me, return when the exhibition is over and the queues have subsided to take a closer look at (what I learnt today) is a very fine museum.

If you're curious to know more about Banksy, you can look HERE. There's also a rview of the exhibition in the Daily Telegraph, and the Mail on Sunday even claims to have uncovered his real identity.

We also managed to get in without queuing at all and did so in a manner that I think Banksy would have approved of. However, as a tribute to his success at secrecy, I have no intention of revealing how we did it.





Einstein 'chalk & talk' competition



Twitter strikes again: without it, I might never have heard about this terrific way of modifying the picture of Einstein that was featured in the first of my posts on 'chalk & talk' a few days ago - so thanks again to Olivia Mitchell for tweeting it.

It suggests a competition for the best entry on the blackboard.

All you have to do is to click on 'modifying the picture' above, write whatever you like on the blackboard and email your version of the picture to me before 10th September.

PRIZE: The best entry will receive a free signed copy of Lend Me Your Ears: All You Need to Know about Making Speeches and Presentations OR Speech-making and Presentation Made Easy - in both of which there's more on the relative merits of 'chalk & talk', PowerPoint and other types of visual aid.

Meanwhile, you can mug up on related issues from these earlier posts:

PREVIOUS POSTS ON CHALK & TALK
PowerPoint and the demise of Chalk & Talk: (1) The beginning of the end
PowerPoint and the demise of Chalk & Talk: (2) The lost art
PowerPoint and the demise of Chalk & Talk: (3) Glimmers of hope

PREVIOUS POST ON OBJECTS AS VISUAL AIDS
Objects as visual aids: Obama & Archbishop Sentamu in action

PREVIOUS POSTS ON POWERPOINT INCLUDE
PowerPoint program on BBC Radio 4
BBC Television News slideshow quiz
How NOT to use PowerPoint
If Bill Gates doesn’t read bullet points from PowerPoint slides
An imaginative innovation in a PowerPoint presentation
PowerPoint presentation continues to dominate BBC News – courtesy Robert Peston (again)
Slidomania contaminates another BBC channel
There’s nothing wrong with PowerPoint – until there’s an audience
BBC Television News: produced by of for morons?
PowerPoint comes to church




On the death of Edward Kennedy: “the dream shall never die”

Speeches by all three of the Kennedy brothers are to be found in the top 100 American speeches listed on the website American Rhetoric.

For me, one of the most memorable ones by Edward Kennedy was delivered shortly after I had started studying political speeches in 1980: his address to the Democratic National Convention, now ranked at 76th in the top 100.

To mark his death, here are the final few sentences, which, somewhat unusually, end with a 4 part list that has been much quoted since:

And someday, long after this convention, long after the signs come down and the crowds stop cheering, and the bands stop playing, may it be said of our campaign that we kept the faith.

May it be said of our Party in 1980 that we found our faith again.

And may it be said of us, both in dark passages and in bright days, in the words of Tennyson that my brothers quoted and loved, and that have special meaning for me now:

I am a part of all that I have met

To [Tho] much is taken, much abides

That which we are, we are --

One equal temper of heroic hearts

Strong in will

To strive, to seek, to find, and not to yield.


For me, a few hours ago, this campaign came to an end.

For all those whose cares have been our concern, the work goes on, the cause endures, the hope still lives, and the dream shall never die.





MORE ON 3 PART LISTS & OTHER RHETORICAL TECHNIQUES
Why lists of three: mystery, magic or reason?
Lists of 3 and other rhetorical devices in Obama’s victory speech
Tom Peters: high on rhetoric but low on content?
When the young Paddy Ashdown surprised himself by the power of his own rhetoric
David Cameron’s attack on the budget used some well-crafted rhetoric
Rhetoric wins applause for questioners on BBC Question Time

P.S. FOR OTHERS SCEPTICAL ABOUT OR NEW TO TWITTER:
In the 'Pros' listed the other day, I included the fact that announcing new blog posts on Twitter can increase the number of visitors to the blog.

It also turns out that there's a more indirect way of this happening via Twitter. Since the death of Edward Kennedy, a lot of people have been typing 'thedreamshallneverdie' into Twitter search - as a result of which, some have found and visited this page.

What's 'news' about Gordon Brown not answering a question?

The silly season doesn’t get much sillier than when the leading story on all of tonight’s leading news programmes on radio and television was the apparently astonishing fact that that Gordon Brown had not answered a question about his position on the release of the Lockerbie bomber during today's Downing Street press conference.

It raises the question of whether all our top journalists have been asleep since Brown first emerged as a leading Labour politician more than a decade and a half ago.

Otherwise, they would surely have noticed that he has never knowingly answered any question ever put to him - and that more of the same hardly counts as 'news' (for more on which, see HERE).

Mehrabian's moans about the myth

The debate about the Merhrabian myth has been going on for a few weeks now, and Olivia Mitchell deserves congratulating for prompting so much discussion – and, if you want to know where I stand on the issue, you can catch up on some of my earlier posts about it from the links below.

If you missed the interview on BBC Radio 4, where Dr Mehrabian is to be heard bemoaning the way his statistics have been misinterpreted, it should still be available HERE (23 minutes into the tape).

He took a very similar line to that in an e-mail exchange I had with him seven years ago when I was writing the chapter ‘Physical Facts and Fiction’ for my book ‘Lend Me Your Ears’ and the relevant section went as follows:


In some cases, there is a huge gulf between the originators of the research and their disciples, both in the amount of confidence shown in such ‘facts,’ and in the extent to which they hold them to be generally applicable. This is certainly true of the 93% claim, which first reached a wider public with the publication of the book Silent messages: Implicit communication of emotions and attitudes by Dr Albert Mehrabian, a social psychologist at the University of California, in 1981. But, as he pointed out to me in an e-mail, the research on which it was based dates from more than a decade before that, and was actually concerned with feelings and attitudes:

“This work of mine has received considerable attention in the literature. It was reported originally by Mehrabian & Weiner (1967) and Mehrabian & Ferris (1967). Silent Messages contains a detailed discussion of my findings on inconsistent and consistent messages of feelings and attitudes.
Total Liking = 7% Verbal Liking + 38% Vocal Liking + 55% Facial Liking.”
(Albert Mehrabian , personal communication, e-mail, 16 October 2002).

A key point to note here is that Dr Mehrabian’s original percentages refer to different types of ‘liking’, and not to communication in all its forms. And, as one of the originators of these numbers, he writes with far more caution about their general applicability than is ever shown by the popularisers of his work:

“Please note that this and other equations regarding differential importance of verbal and nonverbal messages were derived from experiments dealing with communications of feelings and attitudes (i.e. like-dislike). Unless a communicator is talking about their feelings or attitudes, these equations are not applicable.” (Albert Mehrabian, personal communication, e-mail, 16 October 2002).

Unlike Dr Mehrabian, those who recycle these percentages with such confidence have few qualms about generalising way beyond anything he ever intended. Their cavalier disregard for the details of his research is also a matter of some concern to him, as he indicated in the reply to an e-mail in which I asked him what he thought about his findings being so widely used to mislead people about the relative importance of verbal and non-verbal communication:

“I am obviously uncomfortable about misquotes of my work. From the very beginning, I have tried to give people the correct limitations of my findings. Unfortunately, the field of self-styled ‘corporate image consultants’ or ‘leadership consultants’ has numerous practitioners with very little psychological expertise.” (Albert Mehrabian , personal communication, e-mail, 31 October 2002).